Nike alighting on a warship, from Samothrace, 190 BCE. Marble, Nike 8' 1" high. Hellenistic.
Wind swept drapery, placement in a fountain of splashing water heightened the dramatic visual effect.
Altar of Zeus, Pergamon, Turkey, 175 BCE. Hellenistic.
Frieze of battle of gods and giants alludes to the victory of King Attlos over the Gauls of Asia Minor.
Athena battling Alkyoneos, detail of gigantomachy frieze, Altar of Zeus, Pergamon. 175 BCE, Marble, 7' 6" high.
Emotional power unparalleled in earlier Greek art. Violent movement, swirling draperie, and vivid depictions of suffering.
Philoxenos of Eretria, Battle of Issus, 310 BCE. Roman copy, late second or early first century BCE. Tessera mosaic, 8' 10"x16' 9", Court of Alexander the Great
Foreshortening, modeling of color, reflections, shadows, psychological intensity of warfare.
Polykleitos, Doryphoros, Roman copy of bronze 450-440 BCE. Marble, 6' 11" high. Early Classical
Perfect man and order of human movement. Harmonic proportions and cross balances across the body.
Exekias, Achilles and Ajax playing a dice game, 540-530 BBCE. Amphora 2' high.
Dramatic tension, coordination of poses and vase shape, and intricacy of engraved patterns. Black-figure.
Akhenaton, Nefertiti, and Three Daughters, from Amarna, Egypt, 18th Dynasty, 1353-1335 BCE. Limestone, 1' 1/4" high. Amarna period.
Provided rare intimate glimpse at royal family in a domestic setting. Family basks in the life-giving rays of Aton the sun disk. The rays only touch Nefertiti, the high priestess.
Akhenaton, from the temple of Aton, Karnak, Egypt, 18th Dynasty. 1353-1335 BCE. Sandstone, 13' high. Amarna Period.
Akhenaton initiated both religious and artistic revolutions. Androgynous figure is reaction against tradition. May be an attempt to portray Akhenaton as Aton, the sexless sun disk.
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Nebamun hunting foul, from the tomb of Nebamun, Thebes, Egypt. 18th dynasty, 1400- 1350 BCE. Fresco secco, 2' 8"high. New Kingdom.
Inscription says Nebamun is enjoying recreational activities in his eternal afterlife.
Temple of Amen-Re, Karnak, Egpyt, begun 15th century BCE. New Kingdom
Vast temple complex contains artificial lake associated with primeval waters of Egyptian creation myth.
Hypostyle hall, temple of Amen-Re. 1290-1224 BCE.
Raising of two center columns creates clerestory to let in light.
Mortuary temple of Hepshepsut, Egypt, 18th Dynasty, 1473-1458 BCE. Middle Kingdom.
First great female Egyptian monarch whose name was recorded. Funerary temple included shrines to Amen.
Ti watching a hippopotamus hunt, relief in the mastaba of Ti, Fifth Dynasty, 2450-2350 BCE. Painted limestone, 4' high. Old Kingdom.
Successful hunt represented triumph over evil. Hierarchical scale.
Palette of King Narmer, Hierakonpolis, Egypt, Predynastic, 3000-2920 BCE. Slate, 2' 1" high.
Falcon god Horus stands on what represents defeated Lower Egypt. Hathor, who was believed to be the mother of the pharoah, is shown in the top corners. Narmer is largest figure, shown in composite view, united Upper and Lower Egypt. Intertwined animal heads may represent unification of the two kingdoms.
Persepolis, Iran 521-465 BCE. Persian.
Heavily fortified complex of Persian royal buildings located on large plateau included royal audience hall, or apadana.
Persians and Medes, detail of processional frieze on terrace of apadana, Persepolis, Iran. 521-465 BCE. Limestone, 8' 4" high.
Reliefs decorating walls depicted representatives of 23 nations bringing tribute to the Persian king.
Ashurbanipal hunting lions, relief from the palace of Ashurbanipal, Nineveh, Iraq. 645-640 BCE. Gypsum, 5' 4" high. Assyrian.
Assyrian viewed hunting and killing lions as manly royal virtues on par with military victory. Lions treated as a formidable and respected fallen foe.
Victory Stele of Naram-sin, from Susa, Iraq, 2254-2218 BCE. Pink sandstone, 6' 7" high. Akkadian
Commemorate victory over Lullabi, shows Naram-sin leading army up mountain. Staggered figures, abandoned traditional register format.